Felino Soriano
|  | Trumpet's Many Tongues # 29
—after Two Faced – Miles Davis
Everyday a broken mirror. Shards delight, slice wrists. Of the angles who in embodiment of volution bodies, evaporate, landing elsewhere, the recommended fitting of halos atop angels' sensational auras. Social climate heated within societal deeds, the body develops anti toward reflection-study, space ties a noose around accurate renditions. Avenues suppose entrances into figurative abodes, forest for melancholy desires, mansion for the studier of gluttony, possible intake of atmospheric vertigo. Turmoil commits to its term of routine disembodiment, allowance though to levitate above barbed faculties, many hoard in the happiness to proclaim masked reality.
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Trumpet's Many Tongues # 30 —after Mantra – Terrence Blanchard
A page of sympathy spread evenly, the lettered aridness constraints emotional latitude transcending the child dissonance echoing malnutrition, the missing and (his) elderly. Connective tissue, spiraled envelope leading toward mis -calculated prophecy, commotion first sans the ability to conjure metaphoric aliveness. Construction of ladders scaling the back of neo-critical voices swimming the mind canal and former sincerity. Without signification of complete familial skeleton, mind toward absence fulfills dispositional nuances, climbing down steps of disaccord, subsequent malfunction.
| | Trumpet's Many Tongues # 31 —after Indian Summer – Chet Baker
Orange documents falling, sun hands drafting intuitive angles across leaf landscapes, veins and stem swaying: the body convulsing prior to death entering the smooth skin of soul's reenactment. Proposed body language recites verbatim heat circling, humid openness clapping to dragonfly rhythms, pulsing. Translucent film lifted to reveal fingers of time walking atop lakes of crystallized invention. Soon, cold isolates itself into the marvelous room of reinvention, earth spins into white sifting through clogged breathing, sky lowers slightly onto the sights and scents of yearly ending.
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