Michael Roberson
|  | Untitled
(for Tom Wayman)
I left the house
and came to the workshop
to work
even though the light’s
only natural
I must stand
to write
on a flat surface
I have brought the herbs
in
with me to the keep warm
in summer cool by
storms
Smelling caked dirt
which does not smell
dirty
I laugh
at other rusts and
scratches
stains and drips
A bicycle chain hangs
its face
all it needs is the
master link
Cob webs & exposed
insulation catch
or resemble the evening
audiences of heads
motionless hair agape
I keep the old ice cream
bucket of
bent nails because I
appreciate
solidarity
even over the time it
takes
to warp and sag and pose
exposed
An old bouquet from the
rafters dried
already given up the
ghost of living
rooms
Not concerned being
pressed for time
immemorial
A robin watches me with
my back to the door
I hear him fidget
on the fence boards
“Too square” he
thinks
And the old circuit
panel board keeps it
switches upright even
though mice
on their way back to the
pile of boards
have
chewed the wires
The boards
remainders from a
dismantling too
waiting to be reunited
with the nails
some in the ice cream
bucket
resting on the pink
shelf
the one sacrificed to
the test
of colour
the one eventually used
for the drawers
that used to reside in
the second bedroom
now an office full of
books and a desk | | Until
(for Lisa)
Between the garden and
this page I read
the sputter the world
brings by way
of light machines
un’tiling
Turned by hand and spade
essential
a firm foot and inertia
continues to the root
and stops
My hands stop
technically no more
work
un’tiled
If I soak my hands in a
bowl of water
it looks like tea
When my nails are clean
and the water
settles there is no
message to read
just a smooth silt and
vagrant water
I watch the Spring come
by winks
after the lash of Winter
each day a bit more
un’til
the cheek swells the eye
by moon by day
teary glaze
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