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Heavy Bear Logonext page
Michael Roberson
Untitled (for Tom Wayman) 



I left the house
and came to the workshop
to work 
even though the light’s only natural
I must stand
to write
on a flat surface 
I have brought the herbs in
with me to the keep warm
in summer cool by storms 
Smelling caked dirt
which does not smell dirty
I laugh
at other rusts and scratches
stains and drips 
A bicycle chain hangs its face
all it needs is the master link 
Cob webs & exposed insulation catch
or resemble the evening 
audiences of heads
motionless hair agape 
I keep the old ice cream bucket of
bent nails because I appreciate
solidarity 
even over the time it takes
to warp and sag and pose
exposed 
An old bouquet from the rafters dried
already given up the ghost of living
rooms 
Not concerned being pressed for time
immemorial 
A robin watches me with my back to the door
I hear him fidget
on the fence boards
Too square” he thinks 
And the old circuit panel board keeps it
switches upright even though mice  
on their way back to the pile of boards
have
chewed the wires  
The boards
remainders from a dismantling too
waiting to be reunited with the nails 
some in the ice cream bucket
resting on the pink shelf 
the one sacrificed to the test
of colour 
the one eventually used for the drawers
that used to reside in the second bedroom 
now an office full of books and a desk
Until (for Lisa) 



Between the garden and this page I read
the sputter the world brings by way
of light machines 
un’tiling 
Turned by hand and spade essential
a firm foot and inertia continues to the root
and stops 
My hands stop
technically no more work 
un’tiled 
If I soak my hands in a bowl of water
it looks like tea 
When my nails are clean and the water
settles there is no message to read
just a smooth silt and vagrant water 
I watch the Spring come
by winks
after the lash of Winter
each day a bit more  
un’til  
the cheek swells the eye
by moon by day
teary glaze 
 




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