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Dialing
in the Verities
The
dispatches come winging in
edged
like
razors
glinting
with myth & mystery
against
a campy background of
German
expressionist noir shadows
and
filched from the muse known as
Our
Lady of the Woolworth’s
where
I sat as a kid in 1960’s America
surrounded
by Dick Tracy comic citizens
at
the Edward Hopperesque lunch counter
eating
a grilled cheese sandwich
with
a few slices of limp dill pickle
and
a cherry Coke that hurt my teeth
unaware
of the many different gambits
and
puzzling opening moves
that
would be plied upon my person
by
those who meant “good”
or
something they considered as such
in
all the years to come
unlearned
in the nomenclature
of
the “outside” and the “other”
be
it Spicer’s or Rimbaud’s
oblivious
to all the crippling desires
and
their attendant disappointments
that
would eventually train my ears
to
ruthlessly comb the ether for the
one
true frequency
that
sliced through all the others.
A
Poem for St. Pauli
The breath
that fuels me
wants
to take me
somewhere
else again
&
I heave myself up
out
of my car—
boot-leather
slapping on
red-light
district cobblestones
on
my way down to the harbor
of Hamburg
where
oblique light
&
Rothko colors abound—
Is
that a pistachio-hued
vintage
Mercedes 290 SL
hardtop-convertible
pimpmobile
generously
trimmed with
polished
chrome
parked
in front of that bordello
that
I’m pretty sure is Polish—
or
must all realizations
constantly
be born
into
a language
& some
splenetic stream
of
continuous interior dialogue
between
one self
& another?
A
Poem for Dialecticians
Driving
the roads and reading the signs
neat
green rows of cabbage and horseradish
stretching
to the coast of the cold North Sea
seeing
the huge refinery in Hemmingstedt
glinting
in the crooked light of December
as
bleak and desolate as Antonioni’s Red Desert
miles
and miles of piping and manifolds
clouds
of vapor rising from the cooling towers
stacks
topped with wavering flares of flame—
for
the weak of heart perhaps a demonic vision
for
pale poets cruising the unnatural world
a
site of comprehension there at the confluence
of
the innerworld and the ultraworld
where form trumps emptiness
and
emptiness trumps form
in a perpetual cycle of
realization
where
perception becomes a reason to be alive
and
a song to be sung in a key not yet found.
Yes
I Did
I
saw a Japanese sky above Germany
yes
I did just outside the window of my
melancholy
Leonard Cohen kitchen
yes
I did with stark black naked leafless
tree
limbs juxtaposed as crooked zigzag
haiku
brushstroke silhouettes against the
austere
cold azure of a crisp winter morning
in
frosty Schleswig-Holstein swirling with
Van
Gogh moods and emotions and contrary
and
anomalous and curious as a minimalist
Richard
Brautigan poem yes I really did.
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