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eugenia macer-story

1. Masonry



Living stone:  four square shadow
Between coffee pot and kitchen cabinet
Builds nothing: unattached to hard structure
Suddenly chunk from nowhere
Part of awhile ago or passage toward future
Arriving softly bricked onto pre-fab formica
Shifts away again into the shapeless fog
Beneath smoothest surface of the solid “now”
Flat hex six-sided in the square cut fabric
Blood-crimson within the lacey frame
Of this incomplete quilt’s patch
Beside the goat’s face in the broken tile
Must extend somewhere beyond the floor
Upon which these extra tokens are found
As cast off labels or receipts for the absent change.
The kid is raking the leaves
As he has promised
While the unexpected snow keeps falling.
Fragments of the past or future
Assemble into the present costume
Worn as a skin by the breathing city
Held together brick by brick in the living silence:

Reshaped patchwork after each explosion
Into the approximately permanent temple’s
Soft roof of fog and angled shadow.
Yet I am told some still seek
A special lost chunk of the original palace
Suffused with the wise venom of millennia
Now in the bottomless bog beyond reconstruction
& surprised that they sometimes find thick stone
Falling like square curds from the mundane
Shadow unattached to structure
Holding up the roof’s resounding shell
As the blood within the ear echoes sea
Pulse in the absence of shore:    the living tide
Builds & un-builds this temporary bridge.


2. bardic bookmark



The unbelievable hazel nut
Bleached a bit from precipitating
Through damp, steamy stratospherics
Of gravity’s desire holding planets in orbit
Rests  in a box of clips.: I notice
Selecting a few pages to mark
For some “particular purpose” attaching
Words to the stormy weather briefly
Scraps in the wind or a shout remembered
As the sky shifts clearly into silence


3. Before & after C.P. Cavafy concert


                     
Apparitions, pieces of a puzzle, memory of faces
Across a coffee shop & through public windows
High on grace but low on cash
\Unexpectedly meeting my lost student, unrecognized
Waiting for me in the aisle of the theater
Simply to turn aside without speaking my name
And is this the same with visions of Apollo?
Tonight I understand:  when the gods appear
To poets in coffee shops and bazaars
These are agendas with death as a Metro stop
And “luck” as a ticket to the edge of the sea
Where we walked amid broken shells, razor sharp
And the beached tentacles of Portuguese Men Of War
Jellyfish stingers making a natural electric fence
Against Hells beneath and within dry grains of sand





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